- 3rd Ward
- 8 x 10
- Advertising
- Andreas Laszlo Konrath
- Andrew Lichtenstein
- Anna Bauer
- Annabel Mehran
- Anne Menke
- Archival Pigment Printing (Inkjet)
- B+W Silver Gelatin Printing
- Ben Grieme
- Bill Jacobson
- Blair Getz Mezibov
- Boogie
- C-41 Film
- Canteen Magazine
- Cati Borruso
- Chris Rhodes
- Compsiting
- Conde Nast Traveller
- Conventional C-Printing
- Cosmopolitan Magazine
- David Benjamin Sherry
- David leventi
- Diana Zeyneb Alhindawi
- Digital-C Printing
- Editorial
- Elinor Carucci
- Eva O'Leary
- Exhibitions
- Fader Magazine
- Film Processing
- Frederic Lagrange
- Frédéric Brenner
- Hello Mr.
- Imaging
- Jennifer Livingston
- Josh Olins
- Joss McKinley
- Juergen Teller
- Lawrence Beck
- Liz Clayman
- Look Book
- Magazine Covers
- Martin Schoeller
- Max Farago
- Max Snow
- Modern Weekly
- Mounting
- Muse Magazine
- MZ Wallace
- New York Magazine
- Nike
- Phillip Lim
- Purple Magazine
- Reed Krakoff
- Rep.Limited
- Retouching
- Richard Mosse
- Rika Magazine
- Robert Polidori
- Rodney Smith
- Rolling Stone
- Scanning
- Sharif Hamza
- Stefan Ruiz
- Talia Chetrit
- The New Yorker
- The New York Times
- The New York Times Lens Blog
- Theo Wenner
- Tim Barber
- Time Magazine
- Tina Barney
- T Magazine / The New York Times
- Trunk Magazine
- Valario Spada
- Vogue Nederland
- Zoe Ghertner
LTI / Lightside provides a full range of services for the professional photographer from traditional film processing and optical enlargement to digital file processing proofing, retouching and printing. Our clients’ work can be seen across a wide spectrum of the music industry, editorial magazine and fashion advertising landscape.
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Andreas Laszlo Konrath for New York Magazine
New York Magazine
Chris Smalls: The Organizer
Andreas Laszlo Konrath
July 18 – 31, 2022
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Tags: Andreas Laszlo Konrath, Conventional C-Printing, Film Processing, Magazine Covers, New York Magazine
Talia Chetrit for Acne Studios
Stefan Ruiz for German Vogue
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German Vogue
Steffi Graf: Cover and story
Stefan Ruiz
June 2022
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Tags: Magazine Covers, Retouching, Stefan Ruiz
Anne Menke for Dos Gardenias
Tina Barney for Vogue
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Vogue
The Actor Who Would Be King: Austin Butler’s Journey to Elvis
Tina Barney
April 2022
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Tags: Film Processing, Scanning, Tina Barney
Andreas Laszio Konrath for New York Magazine
New York Magazine
Huma Abedin Is Ready To Tell You Who She is
Andreas Laszio Konrath
Nov 2021
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Tags: Conventional C-Printing, Film Processing, Scanning
Jil Sander+ Birkenstock
Eckhaus Latta AW20
Proenza Schouler SS21
Talia Chetrit
Talia Cherit: Jil Sander+ Birkinstock
Talia Chetrit: Eckhaus Latta AW20
Talia Chetrit: Proenza Schouler Spring 21
Tags: Advertising, Film Processing, Retouching, Scanning, Talia Chetrit
John Edmonds for Harper’s Bazaar
Harper’s Bazaar
How the Studio Museum of Harlem Transformed the Art World Forever
John Edmonds
Feb 2021
John Edmonds: How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021
John Edmonds: From How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021
L: E. Jane
R: Zaviera Simmons
John Edmonds: Steffani Jemison from How the Studio Museum of Harlem Transformed the Art World Forever Harper’s Bazaar, Feb 2021
All images shot on 8 x 10 C41 film processed, contacted and hi-res scanned at LTI-Lightside. This is our first project with John Edmonds.
Tags: 8 x 10, C-41 Film, Editorial, Film Processing, Scanning
An-My Lê for The New York Times
New York Times
Opinion “A Photographer’s American Road Trip”
An-My Lê
October 27, 2020
An-My Lê: Family Under the Presidio-Ojinaga International Bridge, Texas-Mexico Border, 2019. New York Times, October 27, 2020.
Reprinted from the New York Times:
These past four years, I’ve been on a photographic road trip of the United States. It often seems that there are two Americas, left and right, looking at the same place from radically different and irreconcilable perspectives.
An-My Lê: New York Times, October 27, 2020.
L:
This week I found myself on the grounds of the White House. It was a drizzly, dreary morning. Dug up sections of the lawn adjacent to a lineup of broadcast tents appeared like graves. A theater of the real. I photographed Senator Dick Durbin of Illinois, who is all about work, in his Capitol office. On his coffee table lay a biography of the “Silent General,” Ulysses S. Grant.
An-My Lê: New York Times, October 27, 2020.
L:
R:
There are many types of power and means of taking measure of the powerful. Many of my photographs are made out of a profound sense of powerlessness but also out of a desire to locate power and authority in unexpected places: in the natural world, in a solitary border patrol officer or in the intimacy and strength of a family under a bridge that connects the United States to Mexico. These images are reminders to me that our American landscape and the communities within it transcend this cultural and political moment.
An-My Lê: New York Times, October 27, 2020.
L:
An-My Lê was a 2012 MacArthur fellow, and a survey of her work is at the Carnegie Museum of Art, in Pittsburgh, through January. She teaches photography at Bard College. You can see the entire “A Photographer’s American Road Trip” on the New York Times website by clicking here.
LTI_Lightside has been working with An-My Lê since 2018.
Tags: Editorial, Film Processing
Stefan Ruiz for Time
Time Magazine
The 100 Most Influential People
Stefan Ruiz
October 5 – 12, 2020
Stefan Ruiz: Anthony Fauci, Time Magazine, October 2020
Tags: Film Processing, Scanning