New York Times
Opinion “A Photographer’s American Road Trip”
An-My Lê
October 27, 2020

 

 

An-My Lê: Family Under the Presidio-Ojinaga International Bridge, Texas-Mexico Border, 2019. New York Times, October 27, 2020.

 

Reprinted from the New York Times:

 

These past four years, I’ve been on a photographic road trip of the United States. It often seems that there are two Americas, left and right, looking at the same place from radically different and irreconcilable perspectives.

 

 

An-My Lê:  New York Times, October 27, 2020.
L: St. John’s Church, Lafayette Square, Washington D.C., 2020
R: Oval Office Set, ‘Saturday Night Live,’ NBC Studios, New York, N.Y., 2018

 

 

This week I found myself on the grounds of the White House. It was a drizzly, dreary morning. Dug up sections of the lawn adjacent to a lineup of broadcast tents appeared like graves. A theater of the real. I photographed Senator Dick Durbin of Illinois, who is all about work, in his Capitol office. On his coffee table lay a biography of the “Silent General,” Ulysses S. Grant.

 

 

An-My Lê:  New York Times, October 27, 2020.
L: Sugar Cane Field, November 5, Houma, Louisiana, 2016
R: Cars along the Rio Grande, U.S.-Mexico border, Ojinaga, Mexico, 2019.

 

 

There are many types of power and means of taking measure of the powerful. Many of my photographs are made out of a profound sense of powerlessness but also out of a desire to locate power and authority in unexpected places: in the natural world, in a solitary border patrol officer or in the intimacy and strength of a family under a bridge that connects the United States to Mexico. These images are reminders to me that our American landscape and the communities within it transcend this cultural and political moment.

 

 

An-My Lê:  New York Times, October 27, 2020.
L: U.S. Customs and Border Protection Officer, Presidio-Ojinaga International Bridge.
R: Mexico Customs and Border Protection Officer, Presidio-Ojinaga International Bridge. Ojinaga, Mexico.
Both 2019

 

 

An-My Lê was a 2012 MacArthur fellow, and a survey of her work is at the Carnegie Museum of Art, in Pittsburgh, through January. She teaches photography at Bard College. You can see the entire “A Photographer’s American Road Trip” on the New York Times website by clicking here.

 

LTI_Lightside has been working with An-My Lê since 2018.

Tags: Editorial, Film Processing

Time Magazine
The 100 Most Influential People
Stefan Ruiz
October 5 – 12, 2020

 

 

Stefan Ruiz: Anthony Fauci, Time Magazine, October 2020

 

 

Tags: Film Processing, Scanning

Re-Edition AW19
Re-Edition SS19
Covers and stories
Spring/Summer, Autumn/Winter 2019

 

Talia Chetrit: Re-Edition Magazine, Spring/Summer, Autumn/Winter 2019

 

 

 

Tags: Editorial, Film Processing, Retouching, Scanning, Talia Chetrit

New York Times Magazine
The Disappearing Schools of Puerto Rico
Diana Zeyneb Alhindawi
September 15

 

 

Diana Zeyneb Alhindawi: from The Disappearing Schools of Puerto Rico, New York Times Magazine, September 15, 2019

 

 

The New York Times invited Diana Zeyneb Alhindawi to shoot a photo essay on the crumbling school system in Puerto Rico this past summer. Of course, she chose to drag an 8 x 10 along to capture all the excruciating detail. It’s a hard read from Jonathan M. Katz — and Diana’s images don’t pull any punches, either.

 

You can scroll a few pics here – though we certainly recommend reading the full story here .

 

 

 

Diana Zeyneb Alhindawi: from The Disappearing Schools of Puerto Rico, New York Times Magazine, September 15, 2019

 

 

Diana Zeyneb Alhindawi: from The Disappearing Schools of Puerto Rico, New York Times Magazine, September 15, 2019

 

 

Diana Zeyneb Alhindawi: from The Disappearing Schools of Puerto Rico, New York Times Magazine, September 15, 2019

 

 

Tags: 8 x 10, Diana Zeyneb Alhindawi, Editorial, Film Processing, Imaging, Scanning, The New York Times

Harper’s
THE LAST FRONTIER: Homesteaders on the Margins of America
Lisa Elmaleh
August 2019

 

 

 

Lisa Elmaleh: from The Last Frontier, Harper’s, August 2019

 

 

17 pages, 13 images including the cover, all shot on 8 x 10 film, processed & hi res scanned at LTI-Lightside.

 

 

 

Lisa Elmaleh: Abandoned Trailer / Blanca Peak from The Last Frontier, Harper’s, August 2019

 

 

 See the full Harper’s story here

 

 Visit Lisa’s website work here

 

 

Lisa Elmaleh: from The Last Frontier, Harper’s, August 2019
L: Gruber Family
R: Matt Little

 

 

Departures Fashion Issue
Cover & Feature: Back to St Barth’s
Ben Grieme
March / April 2019

 

 

Ben Grieme: Departures Magazine, March / April, 2019

 

 

Ben Grieme: Departures Magazine, March / April, 2019

 

 

Ben Grieme: Departures Magazine, March / April, 2019

 

 

Ben Grieme: Departures Magazine, March / April, 2019

 

Tags: Ben Grieme, Editorial, Film Processing, Scanning

Barneys F/W ’18
Chris Rhodes, Photographer

 

 

Barneys F/W 18
Chris Rhodes: photographer

 

Tags: Chris Rhodes, Conventional C-Printing, Film Processing, Scanning

The Row F/W ’18
Chris Rhodes
Talia Chetrit

 

In an unusual coincidence, we were lucky to have two of our customers shoot for The Row … both using our film processing and scanning services. One even went with conventional silver gelatin printing before scanning!

 

 

Chris Rhodes: The Row, Men’s collection, Fall 18

Talia Chetrit: The Row, Footwear & Handbags, Fall 18

 

Chris Rhodes is represented by Webber Represents, see more here

Talia Chetrit is represented by Rep Limited, see more here

And of course,  you can shop the entire Fall Collection to your heart’s content here (!)

 

 

Tags: B+W Silver Gelatin Printing, Film Processing, Retouching, Scanning

POP Magazine, Binx FW18
RE-EDITION. FW18
Talia Chetrit, photographer

 

 

Talia Chetrit: POP & RE-EDITION covers, FW18

 

 

Tags: Film Processing, Magazine Covers, Rep.Limited, Retouching, Scanning, Talia Chetrit

Fashion Feature
Talia Chetrit
Document Journal
October FW18 issue

 

Talia Chetrit: Document Journal, FW18

 

 

Tags: Film Processing, Rep.Limited, Retouching, Scanning, Talia Chetrit